French Barbizon School Painter, 1817-1878 was one of the painters of the Barbizon school, and is considered an important precursor of Impressionism. Daubigny was born into a family of painters and was taught the art by his father Edmond François Daubigny and his uncle, miniaturist Pierre Daubigny. Initially Daubigny painted in a traditional style, but this changed after 1843 when he settled in Barbizon to work outside in nature. Even more important was his meeting with Camille Corot in 1852 in Optevoz (Is??re). On his famous boat Botin, which he had turned into a studio, he painted along the Seine and Oise, often in the region around Auvers. From 1852 onward he came under the influence of Gustave Courbet. In 1866 Daubigny visited England, eventually returning because of the Franco-Prussian war in 1870. In London he met Claude Monet, and together they left for the Netherlands. Back in Auvers, he met Paul Cezanne, another important impressionist.  Related Paintings of Charles-Francois Daubigny :. | The Grape Harvest in Burgundy | Apple Trees in Blossom | Der Zusammenflub der Seine und Oise | Washerwomen on the Riverbank | The Village, Auvers-sur-Oise |
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MURILLO, Bartolome Esteban
Spanish Baroque Era Painter, ca.1617-1682 Spanish religious and portrait painter. He was born in Seville, where most of his life was spent. There, c.1645, he painted a series of 11 pictures of the history of the Franciscan order for a monastery. These brought him immediate fame, and for the remainder of his life he was the favorite painter of the wealthy and pious Andalusian capital. His early works show the influence of Zurbarn in the dramatic use of light and shadow. Murillo adapted several compositions from northern and Italian prints. Notable works of his early years include St. Leander, St. Isidore, Vision of St. Anthony (all: cathedral, Seville), Birth of the Virgin (Louvre), and his series for the Church of Santa Maria la Blanca. In 1660 he was instrumental in founding the Seville Academy, of which he shared the presidency with the younger Francisco de Herrera. From 1670 to 1682, Murillo painted many of his major religious works, including those for the Charity Hospital and for the Capuchin convent (Seville Mus.). These religious works, particularly the Madonnas, are noted for their sweetness of mood. In 1682, while working on the Marriage of St. Catherine for the Capuchin church of Cediz, Murillo fell from a scaffold and died as a result of his injuries. Murillo's greatest works include his fine portraits, Don Andres de Andrade y la Col (Metropolitan Mus.) and Knight of the Collar (Prado) and his naturalistic genre paintings, such as Girl and Her Duenna (National Gall., Washington, D.C.) and Peasant Boy (National Gall., London).
Carlo di Braccesco
active in Liguria and Lombardy 1478-1501
Nicolas Froment
French Early Renaissance Painter, ca.1430-1485